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#141
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not as valuable as 6885GT me thinks. |
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#142
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Whilst respecting your views I don't agree with them. In the past I have been relatively indifferent to replica's/rebodies, like you believing each to their own and it's their money etc. but I have found my standpoint has slowly changed. I don't agree that the enthusiasts around here are being elitist or disgusting etc. in their desire to preserve what vintage Ferrari's there are left, in as near to their original state as possible. My other great great passion is art and I now find myself drawing parallels with the art world and the historic car world. For example, old master artworks - as well as being very fine examples of creativity and skill not to mention decorative pieces are also important historical artefacts that give us an insight into how things were hundreds of years ago. Thankfully sensitive custodians of these pieces have looked after them over the years to such an extent that we can now enjoy them for what they are and what they represent. There is a joy in seeing the original brush strokes of a revered artist long-dead. What I'm coming to is that although we purchase these cars with our own money I sincerely believe they too are historic artefacts that we also have a duty to preserve for generations to come. I think this is particularly true of historic Ferrari models as they seem to becoming more and more the most desired of the genre. I would also go so far as to say that the current prices being achieved at the upper end of the scale GTO's etc. probably reflect this. I also believe that so-called 'lowlier' models such as PF Coupe's, 250 GTE's, 330 GT 2+2's should also be preserved as they too have a place in history and will become more and more important as time goes by. So, what I would really like is an original Rembrandt but sadly they are probably out of reach for me but to settle for a painting that is a copy of a Rembrant or even by someone who worked with Rembrandt does not make it a Rembrant no matter how much I would like it to be. I for one accept that original Rembrandts are for a lucky few but sadly for now, I am not one of them. David |
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#143
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I don't think it was too much money because...
(never mind that I was offered one by Henry Manney in 1969 for $18,000...)
in the art world I think van Goghs have gone for $100 million or more and if there's a fire, you could lose it in 5 minutes where if a GTO burned down to the frame tubes it could be rebuilt. And more fun to drive around in than a van Gogh. Also I remember this N. California car dealer who paid $16 million for a race horse and then the horse went and died on him. You can blow an engine in the GTO and have a rebuilt engine a month later. So I think it's a more durable investment, and 250GTOs rising values sure as hell outperform the Dow... we're just luck Mark Zuckerberg hasn't discovered old Ferraris, he could have bought all the GTOs (and maybe all the short wheelbase berlinettas) the day of his IPO. |
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#144
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If they were for sale ;o) all the tea in China and all that
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#145
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Funny to see how bits of discussions here end up on Jalopnik from time to time...
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#146
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http://www.ferrarichat.com/forum/sho...#post136751564 Last edited by miurasv; 06-17-2012 at 05:38 PM. |
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#147
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#148
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The car is not sitting for ten years. i have pics of 6701 racing in 2005.
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#149
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Interesting,from what I was told at the time it hasnt moved.Is it the same car?
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#150
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Yes it is
Olney, UK, 1999 |
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#151
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see pic - same car!
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#152
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I am bemused. My open letter to you was part of a discussion on Hereema's GTO, a car I know well and Neil restored. Given you have met Neil and Hereema's is Dutch I thought you would be interested. Bizarrely, you have ignored this and have chosen to only reply and on a subject you profess to be sick of discussing. The lecture and venomous words are indeed very boring. |
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#153
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Seen this: http://www.ferraris-online.com/pages...E-330GTO-08559 |
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#154
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I wonder what his monthly payments are, not to mention the insurance.
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#155
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Pics deleted?
http://www.bodylinesltd.co.uk/classi...estoration.php |
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